![]() ![]() ![]() With that said, I understand that adding gain effects the EQ and Compressor, but what about taking away gain? If, for instance, I use the gain plug in to take away gain, push up the fader to 0 in order to match the original fader volume, and then add EQ/Compression shouldn't it be the same as leaving the fader at the original position? The only change is that I lowered the overall volume of the instrument before hitting the fader. You get what I am trying to do? I am trying to use the top most decibels of the fader because it allows for the slightest and most precise changes in volume. I am making the instruments lower in volume so that I can push the faders up higher. I'm not adding gain, I'm taking away gain. It doesn't truly matter which solution you chose (in fact you can chose multiple ones) as long as you know that changing the level of a signal before it inputs a level dependent plug-in (compressor, limiter, distortion, amp modeler, etc.) will affect the way that plug-in processes the sound. There are tons of opportunities to change the gain of your signal throughout the signal chain: output level of the instrument, gain plug-in, input level of a compressor, make up gain of a compressor, output level of a compressor, gain of the Channel EQ, etc. On the other hand if you apply a certain amount of gain to the signal before it reaches the compressor and then dial the compressor, then you're fine. Just note that if you dial a dynamic (in the sense that it is input-level dependent) plug-in (such as a compressor) for a certain input level, changing the gain of the signal before that plug-in will change the way that plug-in affects the sound. Note that all of these questions are mostly workflow oriented. In my mind that means one of multiple things: either your instrument is 10 dBs too low (in which case I would just raise the instrument volume 10 dBs higher), or the result of EQing the instrument is 10 dBs too low (in which case you could raise the EQ gain +10 dB or insert a Gain plug-in after the EQ and set it to +10 dBs) or the result of Compressing your equalized instrument is 10 dBs too low (in which case I would adjust the compressor's make up gain or output gain to be 10 dBs higher). I am simply wondering if the gain plug in should come in before or after the rest of the signal processing chain that I do to the kick (eq, compression, etc.).īasically if I'm understanding you correctly then you're applying a gain of anywhere between +9.5 dB and +12 dB. I will use the gain plug in to take off -12/-9.5 dBs, so now I can leave the fader at 0 and have it peaking at the same volume. Let's say that my kick drum is peaking at -15/-12.5 dBs at a fader setting of -12/-9.5. Multiple instances linking capability: link several instances of the same plugin and control several plugins from a single user interface.Let me give you an example of what I am doing:.It can be very useful for stereo widening/narrowing your stereo tracks. The package provides a single channel (mono or stereo) as well as a dual channel version with mid/side capabilities for independent control of the left and right or mid and side channels. ![]() Used together with one of our analysis tools or a MIDI controller, these plug-ins let you remotely control and automate the gain of each channel of the audio signal, wherever they reside in the signal path.Īnother interesting and exclusive feature is the ability to link several instances of the same plug-in: thanks to our unique data sharing technology, you can control the gain of several tracks at the same time with a single slider. The interest of these plug-ins resides in their particular features:įirst, they include advanced automation MIDI control capabilities (all response curves can be fully customized). This plug-in suite is a series of gain utilities which let you control the volume of one or several audio tracks in real time. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |